BSE 532722 · NSE NITCO99.72·Delayed indicative
NITCO Defender at a marble quarry face at dawn, sheer white walls rising against a pink sky.

NITCO MARBLE

Stone, chosen slowly.

I — Origin

Every slab is selected at source. Makrana. Carrara. Rajasthan. The Alps.

Selected at the quarry face — rejected more often than accepted. What survives becomes one of the largest marble libraries in India, held at Silvassa: Makrana to Statuario, Rosso Levanto to Verde Alpi, catalogued block by numbered block.

Himalayan valley at first light, quarry access road cutting through snow.

THE ALPS — PIEDMONT

Quarryman in dust light, hand resting on a raw block of Arabescato.

SELECTOR — CARRARA

Macro of Arabescato marble surface, grey veining across a white ground.

ARABESCATO — MACRO

Freshly cut quarry block, marble face exposed to open sky.

CARRARA QUARRY FACE — ITALY

II — The Atelier

What the mountain begins, Silvassa finishes.

NITCO runs the most advanced marble processing plant in India. Each slab is made twice — once by the mountain, once by us.

Raw block wrapped in Italian fibre, edges set in epoxy at the Silvassa plant.

BINDING — SILVASSA

01Bound before it is cut

The block is wrapped in Italian fibre on three sides and set in epoxy for forty-eight hours, so no edge will ever chip.

BM gangsaw mid-cut, thin blades descending through a bound marble block.

BM GANGSAW

02Sawn to a tenth of a millimetre

Our BM gangsaws hold thickness to plus-minus 0.77mm, where the trade accepts two to three.

Slabs entering a curing kiln, heat opening the pores of the stone.

KILN — CURING

03Dried in a kiln

The only marble in India heated slab by slab until its pores open. Only an open pore will take resin.

Sealed vacuum chamber drawing Italian Tenax epoxy through a fibre net into the slab.

VACUUM CHAMBER — TENAX

04Filled under vacuum, the Italian way

Italian Tenax epoxy drawn through a fibre net into every crack inside a sealed vacuum chamber. The brittle stone becomes rock-hard.

The processing line at Silvassa seen end to end.

THE LINE — SILVASSA

05Three kilns, three curings

Bottom, top and seal, each cured two hours, until the fibre becomes part of the body of the slab.

Polishing line: eighteen synchronised heads finishing a marble slab to gloss.

POLISHING LINE — 18 HEADS

06Ground by eleven heads, polished by eighteen

Computer-synchronised, on imported stone, to a flatness the hand cannot feel.

UV-resin polish surface on white marble, gloss above 100.

UV-RESIN POLISH

07The only UV-resin polish in the country

A gloss above 100 on white marble. A shine you can read a room in.

Robotic arm with vacuum cups lifting a finished marble slab, untouched by hand.

VACUUM-CUP ROBOTICS

08Untouched by hand

Robotic arms with vacuum cups carry every slab. No palm meets the face until it meets yours.

This is why NITCO marble does not weep, does not chip, does not dull.

III — Material

The stone, at reading distance.

Extreme macro of grey vein against warm-white marble.

VEIN — MAKRANA WHITE

Polished slab edge, hairline joint between two book-matched panels.

EDGE — STATUARIO

Nine-metre slab of Arabescato photographed edge to edge as a single continuous plane.

THE VEIN LINE

A single nine-metre slab. Read it edge to edge.

IV — Residence

In the house it was chosen for.

Chettinad courtyard floor in book-matched Verde Alpi, mid-morning light.

Verde Alpi, book-matched across nine metres. A courtyard in Chettinad.

VERDE ALPI — CHETTINAD

Kerala verandah in honed Makrana White, teak column at the frame edge.

Makrana White, honed. A verandah in Kerala.

MAKRANA WHITE — KERALA

Coastal pool deck in Rosso Levanto, still water, no figures.

Rosso Levanto, polished. A pool deck on the Alibaug coast.

ROSSO LEVANTO — ALIBAUG

V — The Collection

The register.

Held in current inventory at Silvassa. Book-matched pairs reserved on request.

The NITCO marble studio at Silvassa, slabs standing under natural light.

VI — The Studio

The collection is best understood in person.

Our marble studio at Silvassa receives clients by appointment.