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NITCO
NITCO Defender at a marble quarry face at dawn, sheer white walls rising against a pink sky.

NITCO MARBLE

Stone, chosen slowly.

I — Origin

Every slab is selected at source. Makrana. Carrara. Rajasthan. The Alps.

Selected at the quarry face — rejected more often than accepted. What survives becomes one of the largest marble libraries in India, held at Silvassa: Makrana to Statuario, Rosso Levanto to Verde Alpi, catalogued block by numbered block.

Silvassa · India's Most Advanced Marble Atelier

II — The Atelier

What the mountain begins, Silvassa finishes.

India's most advanced marble processing plant. Each slab is made twice — once by the mountain, once by us.

01

Bound before it is cut

Italian fibre, three sides, set in epoxy.

48 hrs

02

Sawn on BM gangsaws

Where the trade accepts two to three mm.

± 0.77 mm

03

Dried in a kiln

The only marble in India, heated until its pores open.

2 hrs

04

Filled under vacuum

Italian Tenax epoxy, drawn into every crack.

Tenax

05

Polished under UV

The only UV-resin polish in the country.

Gloss 100+

This is why NITCO marble does not weep, does not chip, does not dull.

A single uninterrupted book-matched marble slab, photographed edge to edge as one continuous plane.

Selected slab by slab. Two hundred cut, six taken.

III — Residence

Where the stone comes to rest.

Marble, lived in — not installed. Photographed across the courtyards and coasts of India.

A book-matched Calacatta Viola slab standing in a painted Rajasthani courtyard, arcaded galleries running to either side, pigeons crossing in flight.
CALACATTA VIOLA, BOOK-MATCHED · A COURTYARD IN RAJASTHAN
Hand laid flat against a Calacatta Viola panel, a single dark vein carrying uninterrupted across the joint behind the fingers.
THE VEIN RUNS ON
Portrait against a wall of Rosso Levanto, deep oxblood ground streaked with white veining, water beading on the skin.
ROSSO LEVANTO · AGAINST THE SKIN
A dark marble coping running the length of an infinity pool above the sea at dusk, palms mirrored in still water.
DARK COPINGS · A POOL ABOVE THE SEA
Verde Alpi column framing a tropical verandah, dense green foliage beyond, air moving through open teak.
VERDE ALPI · A VERANDAH THAT BREATHES
A hand resting on Malabar Gold marble under monsoon rain, gold veining running beneath the palm, water beading on the polished surface.
MALABAR GOLD, AND RAIN
Malabar Gold flooring across a Chettinad courtyard in the rain, timber colonnade above, water falling from the eaves onto polished stone.
MALABAR GOLD, UNDERFOOT · A COURTYARD IN CHETTINAD

IV — The Collection

The register.

Held in current inventory at Silvassa. Book-matched pairs reserved on request.

The NITCO marble studio at Silvassa, slabs standing under natural light.

V — The Studio

The collection is best understood in person.

Our marble studio at Silvassa receives clients by appointment.